She summarizes by stating that she wants to "speak for the virtues of a style which inclines to the suggested over the amplified. This voice achieves a wider range in Descending Figurea collection that examines a variety of issues including anorexia and the desire to create poetry.
She contrasts poets of invitation like Eliot and Dickinson with poets of exclusion like Stevens and Plath. At some point I realized that Proofs and Theories was the collected book of her essays and Louise gluck essays, and fell over myself to secure a copy. Its primary design makes use of the epic Greek poem the Odyssey as an analogy for a marriage that is disintegrating.
Gluck praises other poets Martha Rhodes and Frank Bidart for successfully making danger a real, experiential presence and for treating the self with ambivalence rather than soley as brave survivor. This is a pretty straightforward essay. But in practical terms, forcing yourself to disengage is easier said than done.
Her close reading of her own work was very enjoyable--added more to the poem for me. The poems appropriate archetypes in order to illuminate the collapse of a marriage.
I like how she uses reader response as a litmus test: Her argument pertains to how one should read, opposed to how one should write. She ends by arguing that the best poets work like Keats--they cultivate an absence of bias; the reader will feel that the poems are like experiments, the poet was not wed to any one outcome.
I buy her arguments in this essay, for the most part.
She talks about Oppen, whom I have never read, so I skipped that section. Her poetry frequently employs elements from ancient myths as a tool to comment on and inform modern dilemmas. In doing so, she again employed classical myths and the Bible, using them to provide the metaphorical basis of the poems rather than relying heavily on imagery to convey meaning.
She essentially analyzes her poem "Night Song" in this essay, and also talks about how she generates material. Though she had from her early teenage years wanted to be a poet, the experience of psychoanalysis developed the requisite discipline for the task, so that a year later she enrolled in Dr.
Though her work has been greeted with a variety of responses throughout her career, these views are perhaps testament to the innovation and variety that are manifested in her poetry. These poems are set in Long Island, New York, and utilize a chant-like rhythm as they examine the subject of familial romance.
She composes clear, sharp, spare, rhythmic poetry that is noted for its ongoing experimentation with a formal structure and syntax. Since she has taught at numerous colleges and universities. But I guess declarative is different from both suggested and amplified--sort of in between the two.
I had a love affair with Gluck and her works inslowly reading through her canon and being struck again and again by the sheer breadth and talent of her work.
She currently teaches at Williams College and lives in Vermont.
Overall, though, an interesting discussion on how to evaluate "confessional" poetry. The poems, which stylistically build on the works of the first confessional poets, explore the role of women in society, at times expressing negativity and even hostility toward women and womanhood in general.Proofs & Theories is a long-awaited first gathering of essays by one of this country's most brilliant poets.
Like her poems, the prose of Ms.
Gluck, who won the Pulitzer Prize for poetry in for The Wild Iris, is compressed, /5(14). Glück On "the Unsaid" in Poetry from "Disruption, Hesitation, Silence" [In this meditative essay, Glück defends in more detail the aesthetics of paradox and simple language that she had earlier sketched in "Education of the Poet.".
Louise Glück’s timeless essays about poetry are piquant declarations, writes David Gewanter. Louise Gluck: Poems essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Louise Gluck: Poems by Louise Gluck.
A Prisoner to Her Sex: The Hauntings of the. Proofs and Theories: Essays on Poetry by Louise Glück Winner of the PEN/Martha Albrand Award for First Non-Fiction, Proofs and Theories is an illuminating collection of essays by Louise Glück, whose most recent book of poems, The Wild Iris, was awarded the Pulitzer Prize.
Louise Glück is the author of a dozen books of poems and American Originality: Essays on Poetry. Her many awards include the National Book Award, the Pulitzer Prize, the National Book Critics Circle Award, the Bollingen Prize for Poetry, and the Wallace Stevens Award from the Academy of American Poets.4/5(4).Download